Monday, May 2, 2011

The Perils of Working on Multiple Manuscripts

Some writers have no problem with it, and if you asked me a few months ago, I would've said that I never worked on more than one project at a time.

Then something happened.

Another idea.

This isn't an unusual occurrence, I assure you.  I have ideas all the time.  Some are great, and some are shit.  Some that I think are great turn out to be shit, and some I first think are shit turn out to be great.  Either way, I just wrote them down with the intention of breaking them after I finished whatever I was working on.

I was three-quarters through the novel when it came.

I'd been working on this book for a while, several months already, so my motivation had long since waned, but I kept pushing.  The finish line was in sight.

But I couldn't cross it.  Not with this great new idea staring me in the face.  So I told myself I'd take a break from the book, and fiddle with this new story, just until my mojo returned.

Then something happened.

Another idea.

Then another.

And another.

Pretty soon I had eight documents opened on my dock, and I wasn't getting  anything done.  Oh a few words here, a few words there.  I changed the opening of this and cut a few paragraphs of that.

I'd broken my own rule.  No dithering.

Now instead of running the marathon in a slow and steady gait, I find myself trying to sprint in fits and starts, not just in one marathon, but in many.

If I could write 5,000 words a day, or even 2,000 words consistently, this might not be a problem.  In fact, it would be a distinct advantage when it comes to getting more product out into the world, but I have not yet learned the great secret of hyperproductivity.  If I do, I will share it.  Oh, and if you have, please feel free to share it with the rest of us.

9 comments:

  1. I brought my words-per-hour up from 250 to 1k by blind folding myself while I worked, just for a week. It teaches you to just keep writing and not to stop and reread what you've already written. It turns off your internal editor.

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  2. You write 1k words an hour?! I'm hella jealous if that's the case. As for blindfolding, it's an interesting idea, but you're obviously a better typist than I am. Deciphering what it is I wrote would take weeks and a team of scholars. But you're absolutely right about turning off the internal editor. I'm sure that's the key.

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  3. I learned super typing skills from MMORPGs. :)
    But yeah, I average 1k now.

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  4. Nice. Not me. I lost several months of my life and who knows how many possible manuscripts with stupid Farmville. I don't need anymore distractions... ooh, something shiny!

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  5. I don't play anymore. I don't play Facebook flash games either. I've learned my lesson with that. I've also banned myself from using hulu. I'm the master time waster.

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  6. Sometimes having multiple projects can keep the mind clear, though 8 documents may be too much to keep track of.

    I've never mastered hyper-productivity either. I do have 1000+ word hours, but I can't string many of these hours together, especially not over multiple days.

    But maybe hyper-productivity is something that can be built up to. You might eventually get there (especially if the driving ideas are strong).

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  7. Yeah, I'm sure I've had many 1000+ word hours, but the trick is stringing them together and doing that every day. 4 X 1000 word hours each day for five days a week -- that's the goal. But I'd be happy to settle in at half that. Right now I have 1200 word days followed by 500 word days.

    If I set a goal for 2000 words, I find I have to aim well beyond that in order to hit it. Like shooting at a target into the wind. Actually, it's a pretty good analogy. Sometimes I feel like I'm writing against the wind, and if I don't adjust my sights, I'll fall well short.

    On those days, having multiple projects can feel like a blessing. When you get stuck, you can switch gears, write another genre, even under a different name, a different persona.

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  8. When I start having trouble with a particular scene, I move to a different scene within the same work. Sometimes the next scene, sometimes I skip to the end. I let my mind pick for me. I close my eyes and let my mind skip through my whole book like a DVD on 5xFF. I stop when I find something that moves me.

    Sometimes if I really need to get a certain scene done, I open a document for each character present in the scene and then in each one I free write from inside their mind. What are they seeing and feeling? What are their perceptions? How do the other characters look to them. I switch between each document until I understand every aspect of the scene and then I just push through with the first draft.

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  9. I agree. It can be a good technique to jump to other scene. That's how movies are shot. But there's also peril in that (for me anyway).

    Sometimes I'll get so stuck that I'll just grab a legal pad and write another scene longhand, one I've been looking forward to writing. The problem is, I sometimes fall in love with that one scene and get bogged down trying to bridge what I had before and what I've just written.

    From your second example, it sounds like you're very thorough. Admirable. Certainly another good tool for the Writer's Toolkit.

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